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Bel Canto Operas of Rossini, Donizetti, and Bellini, by Charles Osborne
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The author treats each of Rossini's 39 operas, Donizetti's 66, and Bellini's 10, discussing the libretto and the circumstances of each opera's first performance, outlining the plot, and ending with an analysis of the music.
- Sales Rank: #2419172 in Books
- Published on: 1996
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.19" h x 6.03" w x 9.22" l,
- Binding: Paperback
- 378 pages
Most helpful customer reviews
22 of 22 people found the following review helpful.
Comprehensive but superficial
By Stuart Bloom
In this book, Osborne covers the entire operatic oeuvres of Rossini, Donizetti, and Bellini -- both the well-known standards and the rarely performed works. For each opera, the author provides a brief history of its composition, a bare-bones plot summary, and a very short (usually just a paragraph) critical evaluation. The entries are somewhat longer for the standard repertory pieces. For the rarities, Osborne also lists significant performances through 1992. There's a recommended discography, helpful though by now somewhat dated.
If you're looking for in-depth musical analysis, this will disappoint you. It's more of a Kobbe's for bel canto.
23 of 25 people found the following review helpful.
Somewhat useful Lists
By John Cragg
This work contains a complete listing of the operas of Rossini, Donizetti and Bellini. They are presented in chronological order by composer, unnumbered to make reference to the discography more difficult. The latter is fairly useless. In most cases, only one version is listed, often one no longer available, with absolutely no discussion of the merits of the recording, either in absolute terms or relative to others. The text is very long on trivia connected with the first production with no analysis of what effect any of this had on the composition, and virtually no discussion of subsequent revisions and changes. In the case of the more obsure opera, there may be some trivia about performances in the twentieth century as well. Analysis where it occurs at all is usually superficial. One gets no idea of the composer's development, or the development of bel canto writing. Most of the few connections drawn among the various composers comes through rather snide comments that one piece or another reminds the author of someone else.
0 of 0 people found the following review helpful.
Well done
By Glenn Villiard
Good detail and breakdown of composer and their operas. It is the most likely the most consise definition and decsription on Bel Canto that I have seen.
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