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Now in paperback, Tune In is the New York Times bestseller by the world’s leading Beatles authority – the first volume in a groundbreaking trilogy about the band that revolutionized music.
The Beatles have been in our lives for half a century and surely always will be. Still, somehow, their music excites, their influence resonates, their fame sustains. New generations find and love them, and while many other great artists come and go, the Beatles are beyond eclipse.
So . . . who really were these people, and just how did it all happen?
'The Beatles story' is everywhere. Told wrong from early on, rehashed in every possible way and routinely robbed of its context, this is a phenomenon in urgent need of a bright new approach. In his series All These Years, Mark Lewisohn – the world-recognized Beatles historian – presses the Refresh button to relate the entire story as it’s never been told or known before. Here is a full and accurate biography at last. It is certain to become the lasting word.
Tune In is book one of three, exploring and explaining a period that is by very definition lesser-known: the formative pre-fame years, the teenage years, the Liverpool and Hamburg years – in many ways the most absorbing and incredible period of them all. The Beatles come together here in all their originality, attitude, style, speed, charisma, appeal, daring and honesty, the tools with which they’re about to reshape the world. It’s the Beatles in their own time, an amazing story of the ultimate rock band, a focused and colorful telling that builds and builds to leave four sharp lads from Liverpool on the very brink of a whole new kind of fame.
Using impeccable research and resources, Tune In is a magisterial work, an independent biography that combines energy, clarity, objectivity, authority and insight. The text is anti-myth, tight and commanding – just like the Beatles themselves.
Here is the Beatles story as it really was. Throw away what you think you know and start afresh.
- Sales Rank: #392356 in Books
- Published on: 2016-10-11
- Released on: 2016-10-11
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.56" w x 6.13" l, .0 pounds
- Binding: Paperback
- 944 pages
Amazon.com Review
Q&A with Mark Lewisohn
Q. So much has been written about the Beatles, why is this book different to all other books?
A. 'We know everything there is to know about the Beatles, so what else can possibly be written?' People say that all the time – and I don't agree with it for a second. I wouldn't argue the Beatles' story has been told often, but I would argue that it can't be told again and differently. It's been related the same old way for so very long and it's also dying under the suffocating blanket of 'celebrity'. I want to start again, I want to press the Refresh button.
This is a comprehensive biography, three volumes, a sequential history in which I set out to relate everything that happened, and do so with integrity, attention to detail, accuracy and, I believe, a fair understanding of where the story needs to be told and how to tell it. I'm writing so it unfolds as if in real time – there's no hindsight cleverness, so you get a vivid sense of the forward movement. The Beatles' story always had tremendous energy, speed, vitality – and this must be tangible to the reader.
It all boils down to this. They were four war babies from Liverpool who really did change the world, and whose music and impact still lives on in so many ways, after all these years. I say, let's scrub what we know, or think we know, and start over: Who really were these people, and how did it all happen?
Q. What period of the story does Tune In cover?
A. It ends on 31 December 1962, with the Beatles on the cusp of their phenomenal breakthrough, but with everything having fallen well into place – all the people, places, personalities, situations, organisation. So I'm writing about the Liverpool and Hamburg years, the formative years, the teenage years and the childhood years, and all the family backgrounds in a Who Do They Think They Are?-style history – and these families were almost as fascinating as their famous offspring. The three volumes aren't only about 'who these people were' but 'what made them what they were?' I begin this history in 1845; there's a fair deal of Irish blood in the Beatles and I start with the potato famine, which forces the Lennons into Liverpool. Then it moves swiftish through the next hundred years and becomes very solid from the Second World War and the arrival of all the main players.
I'm sure it won't surprise anyone to learn that the Beatles didn't suddenly grow personalities when they had a hit record – that their talent, originality and relentless desire to move on fast, to try new things, was already well in place in their early years. I'm sure no one would be amazed to find the Beatles didn't become instantly remarkable when they conquered Britain, America and much of the world, or funny when they filmed A Hard Day's Night, or inventive when recording Revolver or Sgt Pepper. It was always who they were, a continuation of what was going in all these earlier years, except more visible. The richness of the stories to come in books two and three is also in volume one all the way through. Really, everything was revved up and running in these formative years, in the halls, houses and streets of Liverpool, the only place these people and those events could have happened.
Q. You have a long professional association with the Beatles, and some of them individually. Are they involved in Tune In and is this book authorized?
A. No. I received the odd tiny bit of help which I specifically asked for and they didn't have to give – but substantially no, they're not involved. That's fine, because it's what I expected and what I wanted. This has to be an independent and impartial book. But are the all main players appearing and speaking at the book's core? Yes, constantly. Paul McCartney decided not to talk to me for this particular project, and I completely respect and understand his reasons – but I've interviewed him maybe fifteen times in the past and I've also sourced other quotes of great strength and immediacy for all the players.
One of many reasons the Beatles' achievements and reputation sustain with such integrity is because they were true. They stood for truth, projected truth and lived truthfully as best they could. It's entirely right that their history is written as true as possible, with no embroidery, nothing faked or glossed, nothing stupidly interpreted, everything transparent, everything attributed. Of course my attachment to this subject is deep and lifelong, but I'm not the least bit interested in writing a book simply to say how great they were. They certainly don't need that, and I certainly wouldn't do it. It'd be a waste of my time. My passion is for learning everything I can about this subject, understanding it, and doing my best to set it down clearly so it can be understood relative to what happened.
Review
“An epic unprecedented in rock ’n’ roll biography, and a great read . . . there’s a surprise on every page.” —Mojo
“Beyond essential . . . a wildly evocative portrait . . . The saga is clearer and richer here than it’s ever been. Lewisohn writes in novelistic detail and with the obvious conviction that none of the previous Beatles biographies have ever been good enough.”—Entertainment Weekly
“A radical event and a joy to read . . . Lewisohn’s work stands as a monumental triumph, a challenge not merely to other Beatles biographers but to the discipline of biography itself. If only all important subjects had their Lewisohn.” —Washington Post
“The biggest, deepest Beatles book ever.”—Rolling Stone
“The widest possible angle on an extensive and engrossing group biography built on a well-raked mountain of exacting new research . . . expertly controlled and propelling.”—New York Times
“Lewisohn manages to fill in blanks that no one knew were empty.”—The New Yorker
“A triumph. Not only an enthralling account of the Beatles group’s origins, far superior to anything that has gone before, but also an essential piece of social history . . . Lewisohn has set out to do the Beatles justice and write the definitive history. I think he is succeeding.” —The Times (UK)
“A book with a difference, one that ensures all previous rock tomes will gather dust on high cobwebbed shelves . . . Lewisohn has set the benchmark in popular music history that he alone can match.” —Huffington Post
“Every single page brings the Beatles back into focus and moves them away from legend. Common myths fall apart under Mr. Lewisohn’s research.” —New York Journal of Books
“In its close focus and historical ambition, the trilogy may be compared to Robert Caro’s biography of Lyndon Johnson or John Richardson’s A Life of Picasso; it is unlikely to be surpassed.” —Daily Telegraph (UK)
“A game-changing study which raises the bar in a genre characterized by pap or pretension. A meticulous piece of work – I can’t wait for volume two.” —The Independent (UK)
“I can think of no greater praise for Tune In than to say that it gives the Beatles the beginnings of the biography they deserve. It is hard to imagine the subsequent volumes, covering more familiar ground, matching the gripping quality of this constantly surprising work.” —Financial Times
“This is the story told in Proustian detail, told so definitively that, after this, that really should be it.” —The Guardian (UK)
“With imagination, energy and a gripping plotline, Lewisohn manages to put flesh and blood on the story as never before.” —The Sunday Times (UK)
“Packed with revelations and demystifications.” —The Economist
“A major event in music publishing . . . the definitive account of the Beatles.” —GQ
“Lewisohn treats his subjects seriously, as historical, if ultimately remarkable, figures, and eschews the myriad myths that have grown up around the band in favor of the sorts of details and minutiae, wrapped in a serious but breezy narrative, that give us the fullest picture of who John Lennon, Paul McCartney, George Harrison, and, eventually, Ringo Starr were.” —Esquire
“A fast-moving page-turner overflowing with warm humor, passion, and (of course) music. Likely to become a principle text in 20th-century studies, a sort of Complete Shakespeare with a much better soundtrack.” —VH1.com
“As a Beatles scholar, Mark Lewisohn has no serious rivals. [This is] nothing less than a lifetime’s work embracing the cultural and personal history of the Fab Four, a multi-volume epic written on a scale unprecedented in its genre.” —Irish Times
“Tune In is brilliant in describing the addictive power of rock and roll when there was no imaginable alternative in a doomed town. [Tune In] turns up the colors in a world that has faded to grey.” —Herald Scotland
“Unearths searing new facts that change our historical perspective of what we’ve always been told, setting history on its ear.”—Examiner.com
“A definitive history of the band.”—The Wall Street Journal
“Written with passion, authority and vitality, this is an absorbing book.”—Edinburgh Evening News
“Epic in its scope, forensic in its detail, Tune In is like reading the Beatles’ story for the very first time.”—R2/Rock ‘n’ Reel
“Lewisohn has a knack for underscoring the moment, the precise moment, when things change.”—Slate.com
“A clear-eyed appraisal of rock’s most beloved band.”—CNN.com
From the Hardcover edition.
About the Author
MARK LEWISOHN is the acknowledged world authority on the Beatles. Before embarking on The Beatles: All These Years his books included the bestselling and influential The Complete Beatles Recording Sessions and The Complete Beatles Chronicle. He was a consultant and researcher on all aspects—TV, DVDs, CDs and book—of the Beatles own Anthology and has been involved in numerous additional projects for them. Married with two children, he lives in England.
Most helpful customer reviews
67 of 74 people found the following review helpful.
History will show these books as the most thorough, best researched books on the Beatles ever written
By David Fell
Now everybody seems to have there own opinion
Who did this and who did that
But as for me I don't see how they can remember
When they weren't where it was at
-- Paul McCartney, "Early Days" 2013
Paul McCartney is one of the only two individuals left in the world who knows what it's like to be a Beatle, but even he doesn't know the whole story. Mark Lewisohn has a long standing reputation as one of the most thorough researchers of the Beatles. After authoring an excellent book detailing the Beatles live performances, EMI hired Lewisohn in the 1980s for an enviable task: to listen to every Beatles recording session tape that existed and catalog them. That led to 1988's book "The Complete Beatles Recording Sessions," a long out-of-print (but recently reissued) detailed analysis of all the recordings, that has been an invaluable resource for Beatle scholars ever since. He's written several other great books on the Beatles, and has worked for Apple and for Paul McCartney's company, MPL. This author has the experience and chops to handle the work, and when he announced that he was working on a 3-volume definitive history of the band, Beatle fans and scholars were overjoyed.
Now the first volume has been released, and the level of detail is astounding. It's a thousand pages, give or take a few (944 really), but this takes us only to the first glimmer of the part of the Beatles career that everyone knows about, their amazing recording career. We start with the history on how the families of the Beatles first arrived in Liverpool, and go all the way to the end of 1962, the cusp of fame. Just one single to their name, and world wide everlasting fame the farthest thing from anyone's imagination.
Lewisohn has spoken to practically everyone who knew and worked with the Beatles, friends, family, associates. He has followed every paper trail he could get his hands on. In addition to the amazing detail he's brilliantly put to paper, are a small but choice number of photographs. A few will be familiar to Beatle fans, but many have never been published before.
And if that's not enough for you for this first volume, head on over to amazon.co.uk. There's a 2-volume special edition with thousands of additional words, many more photographs, and 1,728 pages. My copy of that is now in the hands of the Royal Mail, so until that edition arrives in the post, this edition will serve as a satisfying taste. And I can't wait for Lewisohn to finish the next two volumes.
21 of 22 people found the following review helpful.
Me do love this book!
By John D. Muir
I first heard of this project almost 10 years ago. I already had two of Mark Lewisohn's books on the Beatles: Recording Sessions and The Complete Beatles Chronicle. I knew they were books which were objective, yet with an eye for everything interesting and humorous. When the news came out that Lewisohn was writing a complete biography, I waited anxiously for its publication. And waited. And waited.... as it got pushed back ever further. Well, finally it's here; and the waiting was all worth while.
'Tune In' tells the story of the years before Beatlemania, weaving together the biographies of four boys from Liverpool who grew up with a shared passion, to play music. They each found ways of working towards realizing their dream; in fact, it's about the only thing they did work at, since nothing else seemed to be interesting to them. Their paths gradually came together, first John, then John and Paul, then John, Paul and George and finally, a few months before this part of the story ends, John, Paul, George and Ringo. Lewisohn cleverly constructs the book chronologically, bringing the stories together rather than dealing with each person separately. This gives the book a 'real time' feeling, in which events are recounted as they occur. This sense of immediacy is one of the book's biggest strengths; no other biography (and I've read many) gives the reader such a sense of being there, almost as if watching the story unfold in front of you.
Lewisohn's greatest attribute is his willingness to take the trouble to get it right. He makes sure that he not only finds the best sources, he sets them out in extensive footnotes. Where there is not a definitive source, he says so; there is no reciting of rumor, gossip and biased opinion as fact. His objectivity is admirable, for although he is a fan of The Beatles' work, he does not gloss over their human weaknesses and foibles. This is a warts and all account, but never loses sight of the fact that every experience and every character trait is part of what made them so iconic as a band.
There are surprises. One of the most intriguing questions for me has always been why The Beatles first contract with EMI (George Martin's organization) was dated 2 days before Martin ever saw them; Lewisohn solves the mystery and it isn't at all what I was expecting. He answers the questions about why Pete Best was replaced and whether 'Love Me Do' was pushed into the charts by Brian Epstein. However, the revelations are not the reason for reading the book. The quality of writing is the main attraction here. This book is always hugely entertaining, even fascinating. It's witty without being pretentious, sad without being maudlin and affectionate without being sentimental. As this part of the story ends, you find yourself feeling uplifted and eager to read about what happens next.
Ah, there's the rub. The book ends just as The Beatles are about to make history- not just pop music history, but history-book history, as one of the most important cultural influences of the second half of the 20th century. Mark Lewisohn is working on it. I'm already waiting for it.
14 of 14 people found the following review helpful.
Fixing Holes: Tune In - The Beatles: All These Years Vol. 1 -> Photos
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